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Friday, October 9, 2026
LuckyScope Blog

Ballet Luminary Matthew Ball on Grueling Roles and Online Scrutiny: 'I'm Not Precious About My Body'

Within the hushed atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally straight-backed, his limbs defined beneath a simple tee. On stage, dancers can seem like powerful gods, yet frequently offstage they are petite. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. Possessing delicate features and intense eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Pinnacle

At 31, Ball is enjoying the crest of a career that has progressed smoothly. Growing up in Liverpool, he encountered little ridicule for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved directly into the troupe and was advanced each year, reaching the highest position of principal in 2018. He has loved tackling meaty dramatic roles, especially the emotional turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His next featured appearance is as himself, in an "Evening With" event designed to offer behind-the-scenes insights into a dancer's craft. He will guide the crowd through a role, demonstrating his cognitive workflow while performance. Even in more comedic ballets, the challenge is significant. "A classic ballet is one of the most demanding from a skill perspective," he notes.

The Mental Game and After the Show Feelings

What about following a show, when he has succeeded? "It's pretty good," he says. "But because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel self-conscious later. Following an intense role I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer once observed on a "sense of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Motivations and Creative Inspirations

His determination originated in youthful experiences. Not doing well in competitions at school made him "vengeful!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

The next endeavor is making his own dance works. For Ball, "organic movement has value." "Challenging the conventions is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from books, music, and art.

Intimate Dance and Private Dynamic

He also is interested in staging dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They are not typically matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite cheerleader."

On Social Media and Bodily Perception

On social media, followers can see videos from his dance films and images that highlight a sculpted physique. Does he mind that the response can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to viewing Michelangelo’s David—an object that can be seen on multiple ways.

Ball characterizes his early self as "desperate for success." Has it lived up to his hopes? "I feel very aware of how reality is a separate reality to the aspirations you made as a child," he muses. He probably has about decade of performing left. "I suppose in the future, I want to be a bit more kind with myself."

By

Charles Rivas

A tech enthusiast and digital strategist with over a decade of experience in software development and emerging technologies.

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